OJOS VERDES

La historia de la copla, género musical que ha sido objeto de valoraciones culturales contrapuestas, se revisa a través de la figura de Rafael de Maura, marqués de Almodóvar, que, perdidamente enamorado de una cantante, reunió a lo largo de su vida documentos y fetiches con los que soñaba crear un museo. Pero hay dos personas que se disputan ese legado.

The history of the “copla”, a musical genre that has been the object of contrasting cultural assessments, is reviewed through the figure of Rafael de Maura, the marquis of Almodóvar, who was hopelessly in love with a singer and collected during his lifetime a series of documents and fetishes with which he dreamt of creating a museum. But there are two people who compete for his legacy.