Concurso Iberoamericano de Cortometrajes 48ª Edición 2020
España / 2019 / 14' / Ficción / ÓPERA PRIMA
Una modelo va a hacerse unas fotos artísticas con un fotógrafo reconocido. Él propone hacer las fotos con el torso desnudo para transmitir esa inseguridad que provoca la desnudez. Quiere hablar de lo vulnerables que se sienten las mujeres en esta sociedad. Ella duda, pero las fotos son tan bellas y le van a dar tanto prestigio que accede.
A model is going to take some artistic photos with a renowned photographer. He proposes to take the photos with the naked torso to convey that insecurity that nudity causes. He wants to talk about how vulnerable women feel in this society. At first, she doubts, but the photos are so beautiful, and they will give her so much prestige that she finally agrees.
DIRECCIÓN: Nüll García

Madrid, 1986. Se estrena como directora con Ferrotipos, tras una extensa carrera como actriz. Se licenció en Interpretación en 2009 por la RESAD y amplió sus estudios con Andrés Lima, Ángel Gutiérrez y Catalina Lladó. En los últimos años ha trabajado en numerosas obras de teatro, series de televisión, largometrajes y cortometrajes. Además, forma parte de La Extraña, compañía de teatro que investiga la obra de Bertolt Brecht, autor de La excepción y la regla, obra con la que está de gira.
Madrid, 1986. She graduated in Textual Interpretation in 2009 from RESAD. She completed her training in courses with Andrés Lima, Ángel Gutiérrez, Augusto Fernándes, Valeria Alonso and Catalina Lladó. She has also studied several years of singing, piano and stage fencing. She directed her second short film after Nada Grave (2016). In the theater field, she will soon premiere Bertolt Brecht’s La excepción y la regla, with her company, La Extraña. Since 2016, she has worked in Tartufo, the impostor Molière, directed by José Gómez with Venezia Teatro, a work that she combined with Neil Labute’s La Estética de las cosas (Aesthetics of Things), directed by Chema Coloma. In addition, she has worked in the musical La Leyenda del unicornio (The Legend of the Unicorn) (2013-2015), by Jana Producciones and in various productions for Microteatro Por Dinero. With her previous company, El sí mágico, she produced and performed in V. Havel’s Inauguración (2011-2012). Under the direction of Ángel Gutiérrez at the Chekhov Chamber Theater, she played in Don Quijote (2006), by Cervantes, Crimen y Castigo (2006-2008) by Dostoevsky and La Gaviota (2009), by Chekhov. She has also worked in El despertar de primavera (2009), by Wedekind and Waiting for Godot (2008), by Beckett, among others. In television she has participated in the last season of Acacias 38 (Boomerang, RTVE) and Centro Médico (Zebra, RTVE). She has also worked in the Belgian series De Infiltrant (VTM). In 2009, she starred in the Antena 3 miniseries La piel azul, directed by Gonzalo López-Gallego, and has participated in the series Oído Caníbal (2010) and Nada que celebrar (2013), both directed by David Navarro and broadcast on Canal +. In 2016 she premiered in the cinema Los Encantada by Ricardo Dávila and Pier Paolo by Miguel Ángel Barroso. She has also worked in the feature films Buenas noches dijo la señorita pájaro (2012), La mujer que hablaba con los muertos (2013), by César del Álamo, and in short films, such as Amanece (2013) and Nada grave (2016). .
PRODUCCIÓN: Fernando J. Monge, Virginia Herrador. Huaorani Films.
GUIÓN: Nüll García.
DIRECCIÓN DE ARTE: Rebeca Durán.
FOTOGRAFÍA: Néstor Ruíz Medina.
MÚSICA ORIGINAL: Paula Olaz.
SONIDO: Mikel Z. Castells, Fer Aliaga.
CÁMARA: Néstor Ruiz Medina.
REPARTO: Alba Flores, Susana Abaitua, Adolfo Fernández.
OTROS: Vestuario: Claudia Santé. Primer Asistente de Dirección: Eneida Martínez.
CONTACTO: null.garcia@gmail.com
